Peter Brooke was capable of staging a nine-hour production based on an ancient Hindu rhyme of war of the nobles into the universal magnificence of an Indian grandeur. Painting the illustration of the clash between two great empires in the hands of the lords, demonstrating their ethical struggle towards their dogma of their honorable divine truth against the demonized alternative sentiments. Set in the facade of the cosmic primordial forests and galvanizing palaces, inaugurating the monumental epitome known as Mahabharata.
He energies his long persistent yearning to create a universal art, encapsulating Mahabharata as a wholesome veracity by enhancing elements of mankind’s greatest dramas and cordial dilemmas into the cultural unification of Mahabharata being comprehensible to all principles.
Although it sways Indian dances, folk and music it accentuates its compilation to the myths, legends, wars, history and theology of India, It scaffolds various codes of morals, supremacy, benevolence and conspiracy relevant to many nations elevations even in the present.
The production distinguishes itself from various alternating Mahabharata plays by complementing to Brooke’s harmonizing essence of spaces and cliques to cleanse several ambiguous notions depicted through numerous former productions of the Indian folklore poem, Illuminating as well as eclipsing various elements of the play through their ideas of expression. These ideas developed slowly through the performance intensifying the seamless blend of design spaces and directive experimentation of incorporating such intricate renaissance like instances written through the Mahabharata into the slightest spaces provided as decorum.
Concluding with a wonder of the boy’s amazement to the layers and complexities of his family’s history mastered the magical apparatus theatrical cosmoses can form.